Image Credits

Images contained on our home page video slideshow are credited to their creators as follows.

GROUP 1

• Juan Gris (Spanish, 1887-1927), Self-Portrait, 1912. Wikimedia commons, public domain

GROUP 2

• Nearchos (Greek, active 6th-century BCE), Terracotta aryballos (oil flask), c. 570 BCE. Terracotta; black-figure, Metropolitan Museum of Art, Purchase, the Cesnola Collection, 1926
• George Elbert Burr (American, 1859-1939), Giant Cactus, Tucson Arizona, c. 1900. Drypoint, Harvard Art Museums/Fogg Museum, Gift of Misses Margaret and Mary F. Edison
• Caravaggio (Michelangelo Merisi, Italian, 1570-1610), The Musicians, 1597. Oil on canvas, 36.25 x 46.63 in. (92.10 x 118.40 cm.), Metropolitan Museum of Art, Rogers Fund, 1952
• Stefan Müller, “The Red Rebel Brigade,” Extinction Rebellion protest next to Trafalgar Square, London, October 8, 2019. Photgraph taken with Nikon D810 camera, Attribution 2.0 Generic (CC BY 2.0)
• Anon., “Extinction Rebellion” graffiti on street in 9e, Paris, FR

GROUP 3

• Maya Lin (American, b. 1959), What is Missing?, 2009-ongoing. Photograph of spectator engaging with Lin’s “Black Box Room,” by Matthew Niederhauser, Attribution-NonCommercial-NoDerivs 2.0 Generic (CC BY-NC-ND 2.0)
• Heather Green, “Bahía La Cholla/Moon snail egg collar, sanddollar, chione and others” from Tidal Timespace, 2021. Plaster cast, courtesy of the artist
• Nicole Anderson, Bee on Flower, Royal Botanic Garden, Sydney, AUS. Photograph, used with permission
• Anon., Black Lives Matter protest at Place de la République, Paris, FR, June 13, 2020. Creative Commons Attribution-Share Alike 4.0 International
• Anon., COVID-19 protest graffiti, Omonia Square, Athens, GR, June 2020. Photograph by Julia Tulke, https://covid19streetart.omeka.net/items/show/467
• Pierre-Ambroise Richelbourg (French, 1810-1875), Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la Rue de Rivoli, 1871. Albumen silver print, 4.89 x 3.94 in. (10.60 x 10.00 cm.), Metropolitan Museum of Art, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1998

GROUP 4

• Nicole Anderson, Cactus, Desert Botanical Gardens, Phoenix, AZ. Photograph, used with permission
• Holkham Bible, British Library, Add. MS 47682, f. 8r. Public domain
• Documentary image of the artist Zachary Cahill’s studio in Chicago, IL. Provided to IHR by the artist
• Kimberley D, “daft punk @ Coachella,” 2006. Digital photograph taken with Canon PowerShot S2 IS, flickr, image not modified, Attribution-Noncommercial 2.0 Generic (CC-BY-NC 2.0)
• Image of Doric Column at Temple of Poseidon, Cape Sounion, GR
• William Blake, (English, 1757-1827), Vala or The Four Zoas, p. 91, c. 1796-1807. Pen and ink, watercolors, pencil, and charcoal and/or crayon on paper, British Library

GROUP 5

• Olafur Eliasson (Icelandic, b. 1967), Ice Watch Paris, 2015. Glacier divided into twelve pieces arranged in clocklike shape and installed at the Panthéon in Paris, FR. UNclimatechange on flickr, Attribution 2.0 Generic (CC BY 2.0)
• Lionel Allorge, Inside of the RER B subway in the town of Saint-Rémy-lès-Chevreuse, 2010. Digital photograph, Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0)
• Microscopic image of COVID-19 virus, April 10, 2020. Creative Commons Attribution 2.0 Generic
• Suzette Marie Martin, Viral Load, "V.8,” 2020. Charcoal, acrylic paint, water soluble graphite, and colored pencil on canvas, 40.00 x 30.00 in. (101.60 x 76.20 cm.), Collection of the Artist
• Kettly Noël (Haitian, b. 1966), Zombification, 2017. Pre-performance and installation with puppets, concrete plinths, bamboo poles, rope, and sound recording, Athens Conservatoire, photo by Jacob Henry Leveton

GROUP 6

• Charles and Ray Eames for Herman Miller, chair, 1945-6. Sailko, Creative Commons Attribution 3.0 
• Unported
• Paolo Soleri, Vaults at Arcosanti, Arizona, 1970. Creative Commons Attribution 2.0 Generic
• Ant Farm, Cadillac Ranch, 1974. Photograph from 2013, Creative Commons Attribution 2.0 Generic
• Gerrit Rietveld (Dutch, 1888-1964), Red Blue Chair, 1918-23. Attribution-ShakeAlike 3.0 Unported (CC BY-SA 3.0)
• R. Buckminster Fuller (American, 1895-1983), Fly’s Eye Dome, Crystal Bridges Museum of American Art, Bentonville, Arkansas, 1961, fabricated c. 1980. CC0 1.0 Universal (CC0 1.0) Public Domain Dedication

GROUP 7

• SonoranDesertNPS, Saguaro Cactus, Saguaro National Park (Rincon Mountain District), Arizona. Attribution 2.0 Generic (CC BY 2.0)
• Mogollon (Mimbres), Bowl, Scorpions, 950-1150 CE. Ceramic with pigment, 5.88 x 13.63 in. (14.90 x 34.60 cm.), Metropolitan Museum of Art, Purchase, Roger’s Fund and several members of the Chairman’s Council Gifts, 2018
• Inhabitants, What is Deep Sea Mining? A Web Series, Episode 1: “Tools for Ocean Literacy,” 2018. YouTube video (screen capture to reflect practice of the artist in ‘desktop cinema’ experimentation)
• 0 Binary Digital Zero Code 1 Data Computer. Creative Commons Zero – CC0
• Barardo62, Offshore Oil Rig, 2013. Digital photograph, Creative Commons Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0)

GROUP 8

• Daniella Napolitano, BIRD, 2020. Prismacolor pencil and graphite, 12.00 x 9.00 in. (30.48 x 22.86 cm.), Collection of the artist
• Thomas Bewick (English, 1753-1828), “Platypus” from the History of Quadrupeds, 1790. Wood engraving, British Museum, London
• FoAM, dust & shadow, album cover for 12” vinyl record, 2019
• Workshop of Bernard Picart, after Bernard Picart (French, 1673-1733), Bijenkorf, 1730. Etching, 8.43 x 7.13 in. (21.40 x 18.10 cm.), Rijksmuseum,.G. de Groot Jamin Bequest, Amsterdam