How can the inclusion of a common read focused on social justice issues affect instructors’ pedagogical practices in first-year composition courses? What impact does this have on students’ commitment to community engagement? Webb’s project “Social Justice in the Writing Class: Impacts of Common Read Programs” asks these research questions. The goal of the common read is to “encourage first-year students to write about pressing social problems that are relevant to ASU’s mission as a public enterprise.

Simonton's book project “Demagogues of Ancient Greece” incorporates more than half a millennium of history and the evidence of hundreds of Greek city-states. The project is an interdisciplinary exercise in historical analysis, drawing on theories of contemporary populism from the social sciences and on studies of popular culture within history and comparative literature. It will also contribute to our understanding of the threats facing democracy today and how they can be avoided

Hannah's work “Listening for Law” is conceived through the five discrete features of legal grammar: relationality, hierarchy, temporality, simultaneity and predictivity. It cultivates in readers a critical disposition toward anticipating how law’s underlying structures enable and/or delimit the aims of their work, thus activating them as both critics and agents of law’s constitutive nature.

Morrissey's book project “Redefining Romance: Love & Desire in Today's Digital Culture” reconceptualizes romance and genres for our contemporary digital era. In an analog era, romance genres helped stabilize a hierarchy of sexual norms for women and privileged a particular type of white, heteronormative femininity. In the 21st century, digital platforms use algorithms to manage a range of competing sexual hierarchies.

Joslin's work “Transnational Intersectionality: Whiteness and Womanhood in Postcolonial Africa” focuses on the intersections of race, gender and socioeconomic class. Central to these philosophical and interdisciplinary inquiries is the deconstruction of monolithic identity categories, arguing rather for a consideration of how gender identity might be constructed differently for different racialized subjectivities.

Luna’s project “Translation is not Solitude" translates and provides a scholarly framework for two of Rivera Garza’s poetic collections: “La imaginación pública” (2015) and “El virus del aquí,” a forthcoming anthology selected by Amaranta Caballero Prado that spans the breadth of her poetic production.

Liew's current book project “Preaching Pious and Learned Rulership in Medieval Islam: Ibn al-Jawzi's Political Thought”  (under contract with Edinburgh University Press), examines the relationship between preaching and political thought in medieval Islam. It focuses on the political discourses of Ibn al-Jawzi, a twelfth-century Muslim religious scholar and preacher in late Abbasid Baghdad.

Eugene Clay's work “Regulating the Russian Religious Marketplace from Catherine the Great to Vladimir Putin” illustrates how at the end of the USSR, new laws on religious freedom briefly deregulated the spiritual marketplace. Since 1997, Russia has imposed new burdens on religious bodies to ensure their political reliability. This work will illuminate this evolution by placing it in its historical context.